Sunday, 1 January 2012

Atif Aslam

Atif Aslam Biography
Atif Aslam is a Pakistani pop singer. He is widely recognized in South Asia and has given several hit songs such as Aadat, Woh Lamhe, Tere Bin, Kuch Is Tarah, Pehli Nazar Mein, Tera Hone Laga Hoon, Tu Jaane Na, Tere Liye, Meri Kahani and Jalpari. He is best known for his powerful vocal belting technique. In 2008, he was awarded the Tamgha-e-Imtiaz by the Government of Pakistan.
Atif Aslam was born in 1983 in Wazirabad, Gujranwala, Pakistan.
He studied at PAF College, Lahore where he completed his F.Sc (Pre-engineering) with the class of 2001. He has represented his college cricket team and represented his college in various other cities as well. He won his first singing competition on Independence Day celebrations in the college. He then went to the University of Central Punjab and completed his Bachelors in Computer Science.
He used to sing at the college canteen when his friends urged him to participate in the singing competition on Independence Day celebrations at PAF College Lahore in 1998. He performed there and won the competition. Thereafter, he also won several other college competitions.
He met Goher- a guitarist who became his future Jal band-mate, at his college. Together they practiced and started doing mini-concerts for their friends. Atif used to perform on the songs of Junoon and Strings at these concerts. They started performing in their college, McDonalds, Uncle Bubba's Rabba Dabba and other restaurants. Thus began the original line up of Jal.
Jal recorded their first song Aadat at Mekal Hassan's Studio. The song became popular on different musical websites in Pakistan and was also aired on major radio stations of Pakistan like City FM 89, FM 100, Mast FM 103, FM 105 etc. The video for this song was released on ARY Digital and The Musik and then it was played on almost all the channels.
After leaving Jal due to personal differences, Atif released his first solo album, Jal Pari on 19 July 2004, under Sound Master and IC records. Its promoters declared it to be the best selling album of that year within just 5 months of its release. Besides his native country, he also became popular in India and his career took off to fame in both the countries. In the meantime he also cleared his Bachelors in Computer Science (Hons.) from the University of Central Punjab. His second album, Doorie was released on 22 December 2006.
His first major concert was at Al Hamra Hall, Mall Road Lahore where he performed during the break of a stage drama Moulin Rouge. On 14 April 2007, Atif performed in Royal Albert Hall. His first international concert was at W. StarDreamz Entertainment Group during his tour of USA and Canada with RDB and Annie.
Atif also mentioned in a press conference held in Karachi that he will be working on an international project titled The Dreamer Awakes, alongside members of American rock band Guns n' Roses. The song will be released in Summer 2011.
Aslam has began work on his fourth album. There were rumors circulating online that it is titled Shabnam. This was rubbished off by Atif. “Right now, my entire focus is on this project (The Dreamer Awakes). I may be singing with Chris Martin or John Mayer… we’re trying to bring a lot of people together.”
Atif has also sung many songs for Bollywood films, like Pehli Nazar Mein in Race, Tere Bin in Bas Ek Pal, Bakuda Tum Hi Ho in Kismat Konnection, Tera Hone Laga Hoon and Tu Jaane Na in Ajab Prem Ki Ghazab Kahani and Tere Liye in the film Prince, all of which have been very well-received by the Indian and Pakistani audiences.
He also performed background vocals for scenes in Prince. His latest Indian venture was Le Ja Tu Mujhe from movie F.A.L.T.U
Atif Aslam's three songs featured in the Hollywood film, Man Push Cart. While Aadat is the main track, Ehsaas and Yaqeen are the other tracks. These songs are taken from his debut album, Jalpari. Atif is the 3rd Pakistani singer after Ustad Nusrat Fateh Ali Khan and Strings to be featured in any Hollywood movie.
Atif made his acting debut in the second film title "BOL" of well acclaimed Pakistani director Shoaib Mansoor. The film also stars famous Pakistani TV anchor Mahira Khan. Atif plays the role of a doctor in the film.
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Atif Aslam (warid Title Song) By SAbih SHon.flv
new song atif aslam 2011

Barack Hussain Obama

Barack Hussain Obama Biography
President of the United States. Born Barack Hussein Obama on August 4, 1961, in Honolulu, Hawaii. Obama's mother, Ann Dunham, grew up in Wichita, Kansas, where her father worked on oil rigs during the Depression. After the Japanese attack on Pearl Harbor, Dunham's father, Stanley, enlisted in the service and marched across Europe in Patton's army. Dunham's mother, Madelyn, went to work on a bomber assembly line. After the war, the couple studied on the G.I. Bill, bought a house through the Federal Housing Program and, after several moves, landed in Hawaii.
Obama's father, Barack Obama, Sr., was born of Luo ethnicity in Nyanza Province, Kenya. The elder Obama grew up herding goats in Africa, eventually earning a scholarship that allowed him to leave Kenya and pursue his dreams of college in Hawaii. While studying at the University of Hawaii in Manoa, Obama, Sr. met fellow student, Ann Dunham. They married on February 2, 1961. Barack was born six months later.
Obama's parents separated when he was two years old, later divorcing. Obama, Sr. went on to Harvard to pursue Ph.D. studies, and then returned to Kenya in 1965. In 1966, Dunham married Lolo Soetoro, another East–West Center student from Indonesia. A year later, the family moved to Jakarta, Indonesia, where Obama's half-sister Maya Soetoro Ng was born. Several incidents in Indonesia left Dunham afraid for her son's safety and education so, at the age of 10, Barack was sent back to Hawaii to live with his maternal grandparents. His mother and sister later joined them.

Excelling in School
While living with his grandparents, Obama enrolled in the esteemed Punahou Academy, excelling in basketball and graduating with academic honors in 1979. As one of only three black students at the school, Obama became conscious of racism and what it meant to be African-American. He later described how he struggled to reconcile social perceptions of his multiracial heritage with his own sense of self. "I began to notice there was nobody like me in the Sears, Roebuck Christmas catalog...and that Santa was a white man," he said. "I went to the bathroom and stood in front of the mirror with all my senses and limbs seemingly intact, looking the way I had always looked, and wondered if something was wrong with me."
Obama also struggled with the absence of his father, who he saw only once more after his parents divorced, in a brief 1971 visit. "[My father] had left paradise, and nothing that my mother or grandparents told me could obviate that single, unassailable fact," he later reflected. "They couldn't describe what it might have been like had he stayed." Obama, Sr. eventually lost his legs in an automobile accident, also losing his job as a result. In 1982, he died in yet another car accident while traveling in Nairobi. Obama, Jr. was 22 years old when he received the news of his father's passing. "At the time of his death, my father remained a myth to me," Obama said, "both more and less than a man."
After high school, Obama studied at Occidental College in Los Angeles for two years. He then transferred to Columbia University in New York, graduating in 1983 with a degree in political science. After working in the business sector for two years, Obama moved to Chicago in 1985. There, he worked on the South Side as a community organizer for low-income residents in the Roseland and the Altgeld Gardens communities.

Law Career
It was during this time that Obama, who said he "was not raised in a religious household," joined the Trinity United Church of Christ. He also visited relatives in Kenya, which included an emotional visit to the graves of his biological father and paternal grandfather. "For a long time I sat between the two graves and wept," Obama said. "I saw that my life in America—the black life, the white life, the sense of abandonment I felt as a boy, the frustration and hope I'd witnessed in Chicago—all of it was connected with this small plot of earth an ocean away."
Obama returned from Kenya with a sense of renewal, entering Harvard Law School in 1988. The next year, he met Michelle Robinson, an associate at Sidley & Austin law firm in Chicago. She was assigned to be Obama's adviser during a summer internship at the firm, and soon the couple began dating. In February 1990, Obama was elected the first African-American editor of the Harvard Law Review, and he graduated magna cum laude in 1991.
After law school, Obama returned to Chicago to practice as a civil rights lawyer, joining the firm of Miner, Barnhill & Galland. He also taught at the University of Chicago Law School, and helped organize voter registration drives during Bill Clinton's 1992 presidential campaign. On October 3, 1992, he and Michelle were married. They moved to Kenwood, on Chicago's South Side, and welcomed two daughters: Malia (born 1998) and Sasha (born 2001).
Entry into Illinois Politics
Obama published his autobiography in 1995 Dreams From My Father: A Story of Race and Inheritance. The work received high praise from literary figures such as Toni Morrison and has since been printed in 10 languages, including Chinese, Swedish and Hebrew. The book had a second printing in 2004, and is currently being adapted into a children's version. The 2006 audiobook version of Dreams, which was narrated by Obama, received a Grammy award for Best Spoken Word Album.
Obama's advocacy work led him to run for the Illinois State Senate as a Democrat. He won election in 1996. During these years, Obama worked with both Democrats and Republicans in drafting legislation on ethics, expanded health care services, and early childhood education programs for the poor. He also created a state earned-income tax credit for the working poor. Obama became chairman of the Illinois Senate's Health and Human Services Committee as well, and after a number of inmates on death row were found innocent, he worked with law enforcement officials to require the videotaping of interrogations and confessions in all capital cases.
In 2000, Obama made an unsuccessful Democratic primary run for the U. S. House of Representatives seat held by four-term incumbent candidate Bobby Rush. Undeterred, Obama created a campaign committee in 2002, and began raising funds to run in the 2004 U.S. Senate Race. With the help of political consultant David Axelrod, Obama began assessing his prospects of a Senate win.
Following the 9/11 attacks in 2001, Obama was an early opponent of President George W. Bush's push to war with Iraq. Obama was still a state senator when he spoke against a resolution authorizing the use of force against Iraq during a rally at Chicago's Federal Plaza in October 2002. "I am not opposed to all wars. I'm opposed to dumb wars," he said. "What I am opposed to is the cynical attempt by Richard Perle and Paul Wolfowitz and other arm-chair, weekend warriors in this Administration to shove their own ideological agendas down our throats, irrespective of the costs in lives lost and in hardships borne."

Barack Hussain Obama
  Barack Hussain Obama
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The OBAMAnable Snowjob - PART ONE
The OBAMAnable Snowjob - PART TWO

Tome Cruise

Tome Cruise Biography
Once considered to be the biggest star in the world, actor Tom Cruise stood atop the Hollywood pecking order thanks to his on-screen charisma, classic movie star looks and the massive amount of money made by his blockbuster films. In fact, Cruise's name alone was all a studio needed to greenlight a picture, so assured they were of its box office success. He began his road to stardom with "Risky Business" (1983), in which he famously sang Bob Seger's "Old Time Rock and Roll" in his underwear, only to become a major star following the testosterone-fueled blockbuster, "Top Gun" (1986). Following a compelling turn opposite Paul Newman in "The Color of Money" (1986), Cruise took a misstep with "Cocktail" (1988), but rebounded with two of his finest performances: "Rain Man" (1988) and "Born on the Fourth of July" (1989), both of which dispelled any criticism that he had no artistic depth as an actor. Equally as compelling was his string of marriages to famous actresses, starting with Mimi Rogers, whom he divorced in 1990 while marrying "Days of Thunder" (1990) co-star Nicole Kidman. It was his marriage to the Aussie actress that seemed to dominate tabloid coverage for the next decade, making her an overnight star and theirs one of the most celebrated unions in Hollywood history. In that time, Cruise reigned supreme with hits like "The Firm" (1993), "Jerry Maguire"(1996) - which earned him a Best Actor nod at the Academy Awards - and "Mission: Impossible" (1996). He had further critical success with an Oscar-nominated supporting turn in "Magnolia" (1999) and his final appearance with Kidman in Stanley Kubrick's last film, "Eyes Wide Shut" (1999). Following his split from Kidman - which resulted in a brief romance with "Vanilla Sky" (2001) co-star Penelope Cruz and an eventual marriage to Katie Holmes - Cruise's career seemed to hit a precarious slide. He did have a major hit with "Minority Report" (2002), directed by Steven Spielberg, while turning in a rare villainous performance as an unrelenting hit man in "Collateral Damage" (2004), but the cracks began to show in 2005 when he was criticized for his promotion of Scientology while generating ridicule for jumping up and down on Oprah Winfrey's talk show sofa, declaring his love for Holmes. The following year, Paramount Pictures terminated its 14-year relationship with Cruise's production company, Cruise/Wagner. But never one to back away, Cruise maintained his star status with "Mission: Impossible III" (2006) and a hilarious supporting role in "Tropic Thunder" (2008) that proved Cruise was certainly made of more durable stuff.
Thomas Cruise Mapother IV was born on July 3, 1962, the only son of a hardscrabble family that would grow to include three sisters. Mapother III was an electrical engineer, abusive and prone to losing his jobs, which forced the family to move several times a year to look for work. Cruise was born in Syracuse but lived in Louisville, KY; Winnetka, IL; and Ottawa, Ontario, before his mother finally had enough of her "bullying" husband. She left Mapother (and his last name) in 1974 and took her children back to her hometown of Louisville. Cruise was enrolled in a total of 15 schools during his nearly 12 years of education, and his constant outsider status - coupled with a diagnosis of the then little understood disorder, dyslexia - made school life a constant challenge. His mother worked three jobs to support a family of preteens, with many a Christmas coming and going without presents. Her determination to survive rubbed off on her hard-working kids, and her future movie star son would often cite her as the source of his belief that he could make any kind of life for himself that he chose.
Cruise spent his freshman year at a seminary boarding school in Cincinnati, OH on a scholarship. Despite appreciating the respite of stability he received at the seminary, however, he concluded that the priesthood was not for him. He settled with his mother and new stepfather in Glen Ridge, NJ, and started to make a go of it as an athlete at his new school - that is, until he suffered a knee injury during a wrestling match. In response to being sidelined, Cruise turned to the drama department, having been a lifelong movie fanatic and the family comedian. He was a natural, appearing in school productions of "Guys and Dolls" and "Godspell," and with can-do determination, Cruise dispensed with high school during his senior year; instead heading straight to New York in 1980, where he got a job as a busboy and began hitting the audition circuit.
Still reeling from the 18-year whirlwind that was his life up to that time, Cruise's intensity and hunger for success left an overwhelming impression on commercial casting agents looking for fresh-faced, non-threatening teens to represent their products. Within a year, the peripatetic Cruise was in Los Angeles, where he met Paula Wagner, an agent at Creative Artists Agency, who would subsequently guide his film career. After making his feature debut in a small role in the notorious Brooke Shields vehicle "Endless Love" (1981), Cruise gained attention for a supporting role as an increasingly lunatic gung-ho cadet in "Taps" (1981). He had originally been cast in a small three-line role in the film, but the director was so taken with his intensity, that he bumped Cruise up to a more visible role alongside stars Sean Penn and Timothy Hutton.
In 1983, a mere three years after bussing tables, Cruise fully burst onto the scene with four major studio Hollywood features. His rough and tumble roots took hold as one in a pack of "greasers" in Francis Ford Coppola's "The Outsiders," a melodramatic adaptation, but memorable for its gaggle of up-and-coming heartthrobs like Rob Lowe, Matt Dillon, and Patrick Swayze. Cautious not to limit her client to typecasting as an angry rebel, Cruise's agent focused on his athleticism and boyish charisma with a role opposite "older woman" Shelly Long in "Losin' It" (1983), a middling teen coming-of-age comedy. "Risky Business" (1983), however, turned Cruise into an overnight sensation. In his portrayal of an anxious, affluent, suburban teen poised precariously on the brink of young adulthood, Cruise created a resonant protagonist for young Reagan-era audiences. He even put on some extra pounds to emphasize the softness and vulnerability of the character who flirts with illicit capitalism. In his star-making scene, Cruise, clad in a button-down Oxford shirt, boxer shorts, and Wayfarer sunglasses, played air guitar and danced wildly to Bob Seger's anthem, "Old Time Rock 'n' Roll." Audiences lapped it up, the Golden Globe awards recognized him with a nomination, and it was enough to woo co-star Rebecca De Mornay, who embarked on a two-plus year relationship with the breakout star.
Cruise performed well in a more naturalistic mode in "All the Right Moves" (1983), a sober high school football drama which pitted him against hot-headed coach Craig T. Nelson, and fared modestly at the box office - a brief full frontal nudity shot a la Cruise did not hurt returns either. His next move was not as wise for a growing sex symbol - growing his hair long and donning green tights for Ridley Scott's colossal fantasy flop, "Legend" (1985). Already ready to break the mold, however, Cruise solidified his star status and established his onscreen persona with one of the signature hits of the 1980s - and possibly, the film most heavily identified with him - "Top Gun" (1986). With flying sequences edited to the rhythms of pop tunes, the film functioned as both a Navy recruiting ad and a glossy romantic adventure between Lt. Maverick and his Top Gun instructor, Charlie (Kelly McGillis). No longer the engaging boy-next-door, Cruise's Maverick was a prototype for Cruise roles to come - a cocky loner who plays by his own rules, confronts a crisis, then is triumphantly transformed with his success. While "Risky Business" might have made him a star - it was "Top Gun" that made him the biggest movie star in the world.
Cruise selected his next roles and planned his career carefully, teaming with talented directors and co-stars for "The Color of Money" (1986) and "Rain Man" (1988). The former - Martin Scorsese's sharply made, nicely textured sequel to 1961's "The Hustler" - cast him as a talented but arrogant small-time pool hotshot; a younger, greener version of Paul Newman's Fast Eddie Felsen. They made an eclectic pair, with Cruise's boisterous All-American boy versus Newman's seasoned con man, and though the old stud picked up the Best Actor Oscar, he was clearly passing the mantle to the new stud. Off screen, the actor fell in love and married actress Mimi Rogers in what was seen as an odd pairing, not only due to the couple's age difference. The marriage lasted less than three years (1987-1990) but Rogers' legacy lived on in Cruise's lifetime affiliation with Scientology, to which he was introduced by the actress. In 1988, Cruise broadened his serious dramatic credentials with director Barry Levinson's "Rain Man," playing another self-centered hotshot who begrudgingly forges a relationship with his autistic brother (Dustin Hoffman), only to find it changes his entire outlook on life. Hoffman shone as the idiot savant and again, a Cruise co-star took home the Oscar, but Cruise was equally important to the Oscar-winning Best Picture equation and Hoffman pointed this out to anyone who would listen.
Time spent working with the politically-active Newman on "The Color of Money" had had a profound consciousness-raising effect on Cruise, who next chose Oliver Stone's anti-war "Born on the Fourth of July" (1989) to counter his contribution to the jingoistic "Top Gun." For Stone's "Fourth of July," he earned a Golden Globe win and an Oscar nomination for a hard-hitting portrayal of paraplegic Vietnam veteran activist Ron Kovic. When he did not pick up the gold statue, many people believed he had been robbed. Cruise stumbled a bit with his next two projects, though "Days of Thunder" (1990) introduced him to the next love of his life, Nicole Kidman, and inaugurated a long-term association with screenwriter Robert Towne. Scalded by critics, it still raked in $166 million worldwide, and in December of 1990 the co-stars were married, making the then unknown Aussie actress a star overnight. But there was no upside to "Far and Away" (1992), a goofy period romance also co-starring Kidman.
Cruise returned to box office clover by successfully confronting an iconic Jack Nicholson in Rob Reiner's court-martial drama, "A Few Good Men" (1992). Cruise's wunderkind lawyer bent on toppling his corrupt bosses in "The Firm" (1993) could have been a brother to his character in "A Few Good Men." Despite a stellar supporting cast (Gene Hackman, Hal Holbrook, Holly Hunter), he carried the smooth adaptation of John Grisham's giant bestseller, tackling the deceptively difficult character with a vibrancy that led to box office success. Director Sydney Pollack and scriptwriters Towne, David Rabe, and David Rayfiel brought a few extra plot twists and added dramatic and ethical complexity to the attractive and entertaining tale. The same year, Cruise and his agent Paula Wagner formed Cruise/Wagner productions in an effort to garner the actor more creative and financial control over his projects. The production company negotiated an exclusive partnership with Paramount Pictures - a rarity at that time.
Cruise raised eyebrows - and more than a few hackles - by accepting the central role of the vampire Lestat in Neil Jordan's "Interview with the Vampire" (1994). Many balked at the idea of the All-American go-getter playing the decadent, ambisexual European predator of Anne Rice's novel. Rice herself was the harshest critic, as she traveled about the country trashing the casting decision while on a book tour. Sporting blond locks and blue contact lenses over his green eyes, Cruise eventually won Rice's approval, and the film earned mixed reviews while doing brisk business. In 1996, Cruise/Wagner Productions rolled out their first feature, the post-Cold War espionage "Mission: Impossible" (1996). Based on the nostalgic 1960s TV show, the project had languished in various development hells before Cruise got involved, and rumors abounded of his clashing with director Brian De Palma over budgetary and story matters. Nonetheless, despite international location shooting, high-tech stunts, computer-generated visual effects and last-minute re-writes by an assortment of writers (including Towne again), "Mission: Impossible" came in on time and under budget at approximately $67 million, with Cruise deferring his $20 million actor's salary. Though many critics deemed it an extravagant but cold vanity production with a confusing storyline, most admired the cinematic technique, and the mixed reviews did not inhibit ticket buyers, proving the actor could attract crowds to a movie that did not even have to entirely make sense. The man could essentially do not wrong.
The sweetly offbeat romantic comedy "Jerry Maguire" (1996), in which he played the shallow, back-stabbing sports agent, provided a sort of mid-career breakthrough for Cruise. For years he had portrayed irresistible smoothies, turning the world on with his smile while piloting fighter jets and driving race cars. Though it was a classic Cruise performance, bursting with the usual cocky charm and charisma, there was an added dimension of desperation and a new maturity to his screen persona. He had played characters who were up against the ropes before, but perhaps never so convincingly. Here was a slickster whose powers had failed him, exposing a seldom seen vulnerability which made his character's eventual comeback that much sweeter. This time, the critics and movieg rs reached consensus, and Cruise garnered a Golden Globe win and his second Best Actor Academy Award nomination. Three years would pass before he returned to the screen - though in 1998, he and Wagner produced "Without Limits," screenwriter Towne's biopic about fabled long distance runner Steve Prefontaine (Billy Crudup).
Cruise took himself out of the blockbuster game at the height of his career to work on a series of riskier, more artful ventures, beginning with the legendary director Stanley Kubrick's "Eyes Wide Shut," in which he starred opposite his wife for the first time since "Far and Away." The couple relished their time working with the cinematic genius who was known for his perfectionist, obsessive filmmaking vision. Little did they or anyone else know that the erotic thriller would be Kubrick's final work. The film was controversial for its sexual content, requiring editing to achieve an NC-17 rating in the U.S. Despite the fact that critics were divided over its merit, "Eyes Wide Shut" was a significant notch in Cruise's artistic belt and well worth the tens of millions of dollars he gave up as the 18-week shoot ballooned to 52 weeks over 15 months. Following the arduous shoot and mixed reaction to "Eyes Wide Shut," Cruise took on a pivotal role in Paul Thomas Anderson's ensemble drama, "Magnolia" (1999). Playing a cocky sex guru who runs seminars designed to empower men, the actor offered a charismatic turn that was alternately chilling and humorous and earned him another Golden Globe win and Oscar nomination.
Cruise segued back to leading parts in more mainstream work, reprising his heroic role as Ethan Hunt in the big-budget, special effects laden "Mission Impossible: 2" (2000), directed by John Woo. The international espionage thriller centered around the containment of a deadly virus and grossed over $420 million dollars. With the actor's lucrative production deal, he enjoyed a $75 million pay day. Next, Cruise reunited with Crowe for a remake of the perception-bending Spanish film, "Abre los ojos" (1997). It was during the making of that film, titled "Vanilla Sky" (2001), that Cruise endured a very public and acrimonious split from Kidman as he entered into a relationship with "Vanilla Sky" co-star Penelope Cruz. Cruise and Kidman later amicably worked out their divorce battles for their two adopted children's sake, but to say the initial split was not bitter would be way off, with Cruise simply stating "Nic knows what she did" as his explanation for divorce just shy of 10 years of marriage.
"Vanilla Sky" opened to mixed reviews, seen as a competent and often compelling puzzle with a somewhat unsatisfying endgame. Cruise's performance as a successful publisher who finds his life taking a turn for the surreal after a car accident with an obsessive lover, was seen as appropriately intense, but perhaps a little over-the-top in his efforts to subvert his pretty boy looks with Hollywood-made scars. He returned to his more familiar, heroic territory with Spielberg's "Minority Report" (2002), a crackerjack collaboration filled with skillful action sequences and a thought-provoking expansion of sci-fi author Phillip K. Dick's premise of a future where police use precognitives to prevent murders before they happen. Playing Detective John Anderton, the head of the special unit who finds himself the subject of a manhunt after the psychics predict that he will commit a murder, Cruise was in top form on the run from his own officers. And as usual, Cruise insisted on doing almost all of his own stunts, lending even more authenticity to his action star status.
Cruise turned in one of his more nuanced performances for director Ed Zwick in "The Last Samurai" (2003), playing Capt. Nathan Algren, an alcoholic veteran of Custer's battles with Native Americans who travels to Japan to help Westernize the Imperial army, only to be captured by a rebellious samurai leader (Ken Watanabe). He eventually embraces the ways of the bushido code, finding his lost honor along the way. Although the film followed the slightly patronizing white-man-embraces-and-improves-indigenous culture template, Cruise's initial anguish and subsequent reclaiming of his soul was skillfully and subtly conveyed by the actor, earning him a Golden Globe nomination. His hot streak continued unabated with another of his finest roles, the cold-hearted assassin Vincent, who hijacks a good-hearted L.A. cabbie (Jamie Foxx) to drive him on his deadly rounds in "Collateral" (2004). Wearing a grey wig and beard stubble, Cruise used his trademark intensity to his advantage in a rare villainous role, while his inherent charm also gave the character a compelling quality.
In 2005, Cruise's personal life began to overshadow his professional career in a PR nightmare that would taint the leading man's reputation for years to come. After breaking things off with Penelope Cruz, for better or worse, he replaced his publicist of 14 years, Pat Kingsley, with his older sister Lee Anne DeVette, an active Scientologist. Since 1990, Cruise had been a proponent of the often mysterious, Hollywood-based Church of Scientology founded by science fiction author L. Ron Hubbard, having credited his studies there with "curing" him of the dyslexia, among other benefits. But Cruise's affiliation was generally accepted as a movie star eccentricity - that is, until he used his faith to back an attack on "Endless Love" co-star Brooke Shields, who had recently released a biography that described taking antidepressants to relieve her post-partum depression. Based on the Scientology belief that psychiatry is a "pseudo science" that "kills," Cruise publicly criticized Shields and suggested that vitamins would have been a suitable treatment for her diagnosis. Shields - not to mention legions of mothers, mental illness sufferers and the psychiatric community - were outraged.
The incident was followed by a curiously timed announcement that Cruise and actress Katie Holmes - who was 16 years younger and three inches taller than Cruise - were madly in love - though neither could give a direct answer to just when they had met and how long before declaring undying love to one another. Cruise's uncharacteristically animated antics and the couple's often unconvincing physical interaction fueled speculations that the romance was a massive publicity stunt, intended to offset the Brooke blunder and highlight the stars' upcoming summer film releases - Cruise, the Steven Spielberg-directed "War of the Worlds;" Holmes, "Batman Begins." Cruise made a bizarre appearance on Oprah Winfrey's talk show to proclaim his love for Holmes, jumping on the host's furniture and dragging a seemingly reluctant Holmes before the cameras. Holmes, who had been quoted years earlier as saying that as a girl she dreamed of marrying Cruise, presented Cruise with a career achievement award on the MTV Movie Awards. Both appeared separately before David Letterman to further spin their love story. By all accounts, it was showy, uncharacteristic behavior for the actor who had a highly professional reputation onscreen and off. Rumors persisted that Holmes was one of several actresses who had basically auditioned for the role of Cruise girlfriend, in exchange for instant A-list ascension. There was no denying the speed with which the relationship took off - what with meeting in April 2005 and marriage proposal in June. The hard sell of how much "in love" they were with one another, effectively backfired with a very skeptical public.
Much to the dismay of everyone involved with "War of the Worlds" - particularly Spielberg, who knew focus was no longer on his film; but more his star's latest public hijinks - Cruise continued to defend his attack on Brooke Shields in a sharply worded exchange with "Today Show" co-host Matt Lauer. During the infamous exchange in which he continually called Lauer "glib," he aggressively derided psychiatry as a "pseudo-science," provoking a formal rebuke from the American Psychiatric Association. Around the same time he was also reportedly instrumental in opening up the secretive church and inviting journalists to sample its practices. Holmes began taking Scientology courses, and suspiciously dumped her Hollywood handlers in favor of his. Nearly lost in all of Cruise's public appearances was the release of "War of the Worlds" (2005), the fourth film adaptation of the classic H.G. Wells story. A mostly masterful exercise in cinematic suspense and terror, the film was buoyed by a strong performance by Cruise as Ray Ferrier, a working class deadbeat dad who must protect his two children during a horrific alien invasion. In spite of the media brouhaha (or perhaps because of it) "War of the Worlds" was Cruise's top grossing film to date at over $590 million dollars worldwide.
The media saturation lasted beyond the run of the summer blockbuster, especially when it was announced in October that Holmes was pregnant with his child. In November, Paul Bloch replaced DeVette as Cruise's publicist, and though the move was reportedly made to enable his sister to focus on managing her brother's philanthropic affairs, it was perceived as damage control in light of the hit Cruise's image had taken since her installment. For a spell, Cruise's outlandishness seemed quelled until an episode of the animated series "South Park" (Comedy Central, 1997-), which satirized Scientology and made not-so-veiled jokes questioning Cruise's sexuality - a persistent rumor that had dogged the actor since he sued several parties in 1998 and 2001 for publishing allegations of his homosexuality. Under pressure from its parent company Paramount - also Cruise/Wagner Productions parent company - Comedy Central yanked the episode after only one airing, lead some to speculate that Cruise exerted his star power behind the scenes-an assertion that was publicly denied. Matt Stone and Trey Parker - the show's fearless creators - were not afraid to call out Cruise on his power play - being dubbed "Closetgate" by The L.A. Times - even taking out ads, proclaiming tongue-in-cheek that they themselves were "servants of Xenu" and that the "million-year war for Earth" had only just begun, presumably now that their show had been screwed with backdoor deals.
After months of fawning and speculation, Cruise and Holmes - dubbed "TomKat" by a smug media - had a baby girl named Suri on April 18, 2006. The high profile pregnancy was followed by the virtual disappearance of Holmes from public and an absence of baby photos, inspiring conspiracy theories that perhaps there had never been a baby at all. Meanwhile, Cruise began making the media rounds for his next film, "Mission: Impossible 3" (2006). The third installment in the franchise depicted a retired Ethan Hunt (Cruise) living a slower-paced life while training new IMF agents until he is called back to action to do battle with Owen Davian (Philip Seymour Hoffman), an international weapons dealer who may turn out to be Hunt's toughest adversary yet. The film's opening weekend box office receipts fell short of expectations, and a USA Today/Gallup poll showed that only 35 percent of those surveyed held a "favorable opinion" of the actor, the vast majority voicing disapproval over his Scientology proselytizing and the incident with Brooke Shields.
Citing an apparent wane in Cruise's popularity, Paramount Pictures announced an end to its 14-year relationship with Cruise/Wagner Productions on Aug. 22, 2006. In a bombshell heard round the world, Sumner Redstone, Chairman of Viacom, (Paramount's parent company), declared Cruise's "recent conduct has not been acceptable to Paramount." Hollywood insiders surmised that Paramount's decision was purely financial, as the Cruise/Wagner cut of box office and DVD sales was well above the norm and affecting the studio's profit. Meanwhile Cruise/Wagner Productions claimed that they had recently landed financing from a private investor and had been planning to split from Paramount anyway. In September, another bit of coincidentally-timed publicity took attention away from Cruise's business w s when Vanity Fair gave the public their first view of Suri in a 22-page Cruise family photo spread, shot by famed celebrity photographer Annie Leibovitz. In November, the couple were finally wed in a ceremony in Italy, and news of the wedding was paired with another happy ending - Cruise/Wagner productions had struck a deal with MGM to run the ailing United Artists Films.
Back at work and with his nuclear family firmly in place, Cruise seemed poised to put the previous 18 months of turmoil behind him and resume his status as one of the most powerful men in Hollywood. The first release from CEO Wagner and producer Cruise was Robert Redford's November, 2007, release "Lions for Lambs." Cruise took a co-starring role as an ambitious senator in the highly-anticipated film, which sought to explore tough issues about the war in Afghanistan and war in general through three interconnected storylines. Despite the timely subject matter and the additional star power of Redford and Meryl Streep, "Lions for Lambs" came and went without much fanfare. Cruise then delivered a finely tuned comic performance in a small, but memorable role as a foul-mouthed studio executive in "Tropic Thunder" (2008), which earned him a surprise Golden Globe nomination for Best Supporting Actor in a motion picture. He then had his first starring role in a major studio release in some time, playing real-life Nazi conspirator Claus von Stauffenberg, who plots with other high-level members of the German Resistance to assassinate Adolf Hitler, in "Valkyrie" (2008), directed by Bryan Singer. Though Cruise was seemingly perfect - he was a dead-ringer for Stauffenberg -there were considerable risks for playing the part; namely trying to make a Nazi empathetic on-screen while rehabilitating his shattered public image off-screen. He returned to more familiar territory with "Knight and Day" (2010), playing an international super-spy forced to flee the United States with a dangerous piece of technology, while receiving a helping hand from an unsuspecting Midwestern woman (Cameron Diaz).
Also Credited As:Thomas Cruise Mapother, Thomas Cruise Mapother IV, Thomas Cruise Mapother, IV
Born:Thomas Cruise Mapother, IV on July 3, 1962 in Syracuse, New York, USA
Job Titles:Actor, Producer, Director
Family
Cousin: William Mapother. Born in 1965; appeared in Mission: Impossible II (2006)
Daughter: Isabella Jane Kidman Cruise Isabella Jane Kidman Cruise. Born Dec. 22, 1992; adopted by Cruise and Kidman in January 1993
Daughter: Suri Cruise. Born April 18, 2006; mother, Katie Holmes
Father: Thomas Cruise Mapother III Thomas Cruise Mapother III. Worked with the Canadian Army; divorced cruise s mother in 1974; Cruise told Parade Magazine his father was a bully and a merchant of chaos ; Cruise reconciled with his father before his death of cancer in 1984
Mother: Mary Lee Mapother South Mary Lee Mapother South. Left Cruise s father in 1974; raised Cruise and his sister with no financial help from their father; re-married to a plastics salesman named Jack South
Sister: Cass Mapother. Born c. 1963
Sister: Lee Anne DeVette. Born c. 1959; works in publicity and marketing for Cruise s company; took over as Cruise s publicist in 1994; dropped as publicist in order to oversee the day to day operations of Tom Cruise s philanthropic activities in 2005
Sister: Marian Mapother. Born c. 1961
Son: Connor Cruise. Born Jan. 17, 1995; adopted by Cruise and Kidman in February 1995
Step-Father: Jack South.
Significant Others
Companion: Melissa Gilbert. Briefly dated in 1982; no longer together
Companion: Penélope Cruz. Met when co-starring in Vanilla Sky (2001); went public with relationship in July 2001; had a three-year relationship which ended in January 2004
Companion: Rebecca De Mornay.
Wife: Katie Holmes. Began dating in April 2005; Cruise proposed on June 17, 2005 atop the Eiffel Tower in Paris; married Nov. 18, 2006 in a 15th-century castle outside of Rome in Bracciano, Italy; a statement was released, saying the couple had officialized their marriage in Los Angeles prior to their departure for Italy
Wife: Mimi Rogers. Married from 1987-1990; Rogers is generally believed to have introduced Cruise to Scientology
Wife: Nicole Kidman. Met while filming Days of Thunder (1990); married Dec. 24, 1990 in Telluride, Colorado; also co-starred together in Far and Away (1992) and Eyes Wide Shut (1999); they separated when Kidman was three months pregnant, just before their tenth wedding anniversary; she later miscarried; Cruise filed for divorce Feb. 7, 2001; divorce finalized Aug. 8, 2001
Education
Glen Ridge High School, Glen Ridge , New Jersey, 1980
Milestones
1981 Feature acting debut, a small role in Endless Love starring Brooke Shields
1981 Had a more substantial role in Taps opposite George C. Scott, Timothy Hutton and Sean Penn
1981 Met Paula Wagner, then an agent at Creative Artists Agency
1983 Breakthrough film role, as high school student Joel Goodson in Risky Business ; earned a Best Actor Golden Globe nomination
1983 Persuaded director Francis Ford Coppola to cast him in The Outsiders
1983 Played a goal-oriented high school football player in All the Right Moves
1985 Starred in the Ridley Scott directed fantasy film Legend
1986 Rose to star status as American fighter pilot, LT Pete Maverick Mitchell, in Tony Scott s blockbuster film Top Gun
1986 Starred in Martin Scorsese s The Color of Money along with Paul Newman
1988 Played a sexy bartender in the lighthearted drama Cocktail
1988 Received critical praise for his performance opposite Dustin Hoffman in Barry Levinson s Rain Man
1989 Portrayed paralyzed Vietnam veteran Ron Kovic in Oliver Stone s Born on the Fourth of July ; garnered first Best Actor Academy Award nomination
1990 First story credit (shared with Robert Towne), the Tony Scott directed Days of Thunder ; first film with future wife Nicole Kidman
1992 Along with former CAA agent Paula Wagner, signed an exclusive production pact with Paramount Pictures to produce his films
1992 Re-teamed with Kidman for the Ron Howard directed Far and Away ; played Irish settlers in the American West
1992 Starred in the military thriller A Few Good Men with Jack Nicholson and Demi Moore; earned another Best Actor Golden Globe nomination
1993 Made TV directorial debut with Frightening Frammis, an episode of Showtime s Fallen Angels
1993 Received a star on the Hollywood Walk of Fame
1993 Starred in Sydney Pollack s The Firm along with Gene Hackman and Ed Harris; based on the best-selling novel by John Grisham
1994 Starred along with Brad Pitt and Christian Slater in Neil Jordan s Interview with the Vampire, based on Anne Rice s best-selling novel
1996 Feature producing debut (with partner Wagner), Brian de Palma s Mission: Impossible ; also played the lead role of Ethan Hunt
1996 Played the title role of a sports agent in the Cameron Crowe directed Jerry Maguire ; received second Best Actor Academy Award
1999 Acted in Paul Thomas Anderson s ensemble drama Magnolia ; played a misogynistic male guru; earned Supporting Actor Academy Award nomination
1999 Played the lead role in Stanley Kubrick s final film, Eyes Wide Shut ; re-teamed with then wife Nicole Kidman and Sydney Pollack (took two years to complete)
2000 Returned as Ethan Hunt for the John Woo directed sequel Mission: Impossible II ; also produced with Wagner
2001 Re-teamed with director Cameron Crowe for Vanilla Sky, a loose remake of the Spanish film Abre Los Ojos
2002 Starred in the science fiction thriller, Minority Report, which was directed by Steven Spielberg
2003 Starred in Edward Zwick s historical drama The Last Samurai ; earned third Best Actor Golden Globe nomination
2004 Played against type as a contract killer in Michael Mann s Collateral
2005 Re-teamed with Spielberg for War of the Worlds, based on the H.G. Wells novel
2006 On Aug. 22, 2006, Paramount Pictures announced it was ending its 14-year relationship with Cruise/Wagner Productions
2006 Partnered with Metro-Goldwyn-Mayer to resurrect United Artists; will star in and produce films for the studio, and production partner Paula Wagner will serve as chief executive officer
2006 Reprised role of Ethan Hunt for Mission: Impossible III, with J.J. Abrams making his feature-film directorial debut
2006 With business partner Paula Wagner, signed a two-year development deal with an investment partnership headed by Washington Redskins owner Daniel Snyder
2007 Portrayed Presidential hopeful, Senator Jasper Irving in Robert Redford s Lions for Lambs
2008 Had a small role as a studio head in the Ben Stiller directed comedy Tropic Thunder
2008 Nominated for the 2008 Golden Globe Award for Best Performance by an Actor In A Supporting Role in a Motion Picture ( Tropic Thunder )
2008 Portrayed the leader of German army officers, Colonel Stauffenberg, who plot to assassinate Adolf Hitler in Valkyrie ; directed by Bryan Singer
2010 Co-starred with Cameron Diaz in the action/comedy Knight and Day, about a fugitive couple on a glamorous and deadly adventure across the globe
Took up acting in high school after losing his place on wrestling team due to a knee injury
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Tom Cruise Biography - Star Video Profile
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Rolling Stones

Rolling Stones Biography
The Rolling Stones are an English rock band formed in 1962 in London when multi-instrumentalist Brian Jones and pianist Ian Stewart were joined by vocalist Mick Jagger and guitarist Keith Richards. Bassist Bill Wyman and drummer Charlie Watts completed the early lineup. Stewart, deemed unsuitable as a teen idol, was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985.
Early in the band's history Jagger and Richards formed a songwriting partnership and gradually took over leadership of the band from the increasingly troubled and erratic Jones. At first the group recorded mainly covers of American blues and R&B songs, but since the 1966 album Aftermath, their releases have mainly featured Jagger/Richards songs. Mick Taylor replaced an incapacitated Jones shortly before Jones's death in 1969. Taylor quit in 1974, and was replaced in 1975 by Faces guitarist Ronnie Wood, who has remained with the band ever since. Wyman left the Rolling Stones in 1992; bassist Darryl Jones, who is not an official band member, has worked with the group since 1994.
First popular in the UK and Europe, The Rolling Stones came to the US during the early 1960s "British Invasion". The Rolling Stones have released 22 studio albums in the UK (24 in the US), eight concert albums (nine in the US) and numerous compilations; and have album sales estimated at more than 200 million worldwide. Sticky Fingers (1971) began a string of eight consecutive studio albums that charted at number one in the United States. Their latest album, A Bigger Bang, was released in 2005. In 1989 The Rolling Stones were inducted into the Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time.
History
Early history
In the early 1950s Keith Richards and Mick Jagger were classmates at Wentworth Primary School in Dartford, Kent. They met again in 1960 while Richards was attending Sidcup Art College. Richards recalled, "I was still going to school, and he was going up to the London School of Economics... So I get on this train one morning, and there's Jagger and under his arm he has four or five albums... He's got Chuck Berry and Muddy Waters". With mutual friend Dick Taylor (later of Pretty Things), they formed the band Little Boy Blue and the Blue Boys. Stones founders Brian Jones and pianist Ian Stewart were active in the London R&B scene fostered by Cyril Davies and Alexis Korner. Jagger and Richards met Jones while he was playing slide guitar sitting in with Korner's Blues Incorporated. Korner also had hired Jagger periodically and frequently future Stones drummer Charlie Watts. Their first rehearsal was organised by Jones and included Stewart, Jagger and Richards - the latter came along at Jagger's invitation. In June 1962 the lineup was: Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman. Taylor then left the group. Jones named the band The Rollin' Stones to pay tribute to "Rollin' Stone" by Muddy Waters.
1962?64
On 12 July 1962 the group played their first formal gig at the Marquee Club, billed as "The Rollin' Stones". The line-up was Jagger, Richards, Jones, Stewart on piano, Taylor on bass and Tony Chapman on drums. Jones intended for the band to play primarily Chicago blues, but Jagger and Richards brought the rock & roll of Chuck Berry and Bo Diddley to the band. Bassist Bill Wyman joined in December and drummer Charlie Watts the following January to form the Stones' long-standing rhythm section.
The Rolling Stones' first manager, Giorgio Gomelsky, booked the band to play at his Crawdaddy Club for what became an eight-month residency. A young ex-publicist of The Beatles, Andrew Loog Oldham, signed the band to a management deal with his partner and veteran booker Eric Easton in early May 1963. (Gomelsky, who had no written agreement with the band, was not consulted.) George Harrison, meanwhile, encouraged Decca Records' Dick Rowe - who famously passed on the Beatles - to scout The Rolling Stones. The band toured the UK in July 1963 and played their first gig outside of Greater London on Saturday 13 July at the Outlook Club in Middlesbrough sharing billing that night with The Hollies.
The Rolling Stones in the 1960s. From left: Jagger, Jones, Richards, Wyman and Watts.
After signing The Rolling Stones to a tape-lease deal with Decca, Oldham and Easton booked the band on their first big UK tour in the autumn of 1963. They were billed as a supporting act for American stars including Bo Diddley, Little Richard and The Everly Brothers. The result was a "training ground" for the young band's stagecraft.
Prior to this tour, in July 1963, the band's first single, Chuck Berry's "Come On" reached number 21 in the UK. In November 1963, the Rolling Stones had a bigger hit with a rendition of the Lennon/McCartney composition "I Wanna Be Your Man", which went to number 12 on the UK charts.
Oldham crafted the band's image of long-haired tearaways "into the opposite of what The Beatles doing". The band was touring the UK constantly, and made numerous television appearances; their next single, a frantic cover of Buddy Holly's "Not Fade Away" was a top three hit.
Their first album The Rolling Stones, (issued in the US as England's Newest Hit Makers) was composed primarily of covers drawn from the band's live repertoire. The LP also included a Jagger/Richards original - "Tell Me (You're Coming Back)" - and two numbers credited to Nanker Phelge, the name used for songs composed by the entire group.
The Rolling Stones' first US tour in June 1964 was, in Bill Wyman's words, "a disaster. When we arrived, we didn't have a hit record or anything going for us." When the band appeared on Dean Martin's TV variety show The Hollywood Palace, Martin mocked both their hair and their performance. During the tour, however, they did a two-day recording session at Chess Studios in Chicago, where many of their musical heroes recorded. These sessions included what would become The Rolling Stones' first UK chart-topper: their cover of Bobby and Shirley Womack's "It's All Over Now".
On their second US tour in the autumn of 1964, the band immediately followed James Brown in the filmed theatrical release of The TAMI Show, which showcased American acts with British Invasion artists. According to Jagger in 2003, "We weren't actually following James Brown because there were hours in between the filming of each section. Nevertheless, he was still very annoyed about it..." On 25 October the band also appeared on The Ed Sullivan Show. Sullivan, reacting to the pandemonium the Stones caused, promised to never book them again, though he later did book them repeatedly. Their second LP - the US-only 12 X 5 - was released during this tour; it again contained mainly cover tunes, augmented by Jagger/Richards and Nanker Phelge tracks.
The Rolling Stones' fifth UK single ? a cover of Willie Dixon's "Little Red Rooster" backed by "Off the Hook" (Nanker Phelge) ? was released in November 1964 and became their second number-1 hit in the UK - an unprecedented achievement for a blues number. The band's US distributors (London Records) declined to release "Little Red Rooster" as a single there. In December 1964 London Records released the band's first single with Jagger/Richards originals on both sides: "Heart of Stone" backed with "What a Shame"; "Heart of Stone" went to number 19 in the US.
1965?69
The band's second UK LP - The Rolling Stones No. 2, released in January 1965 - was another #1 on the album charts; the US version, released in February as The Rolling Stones, Now!, went to #5. Most of the material had been recorded at Chess Studios in Chicago and RCA Studios in Los Angeles. In January/February 1965 the band also toured Australia and New Zealand for the first time, playing 34 shows for about 100,000 fans.
The first Jagger/Richards composition to reach number 1 on the UK singles charts was "The Last Time" (released in February 1965); it went to number 9 in the US. Their first international number-1 hit was "(I Can't Get No) Satisfaction", recorded in May 1965 during the band's third North American tour. Released as a US single in June 1965, it spent four weeks at the top of the charts there, and established the Stones as a worldwide premier act. The US version of the LP Out of Our Heads (released in July 1965) also went to number 1; it included seven original songs (three Jagger/Richards numbers and four credited to Nanker Phelge). Their second international number-1 single, "Get Off of My Cloud" was released in the autumn of 1965, followed by another US-only LP: December's Children.
The release Aftermath (UK number 1; US 2) in the late spring of 1966 was the first Rolling Stones album to be composed entirely of Jagger/Richards songs. Jones's contribution was also at its all time height, with his command of exotic instruments greatly adding to the band's sound. The American version of the LP included the chart-topping, Middle Eastern-influenced "Paint It Black", the ballad "Lady Jane", and the almost 12-minute long "Going Home", the first extended jam on a top-selling rock & roll album.
The Stones' success on the British and American singles charts peaked during 1966. "19th Nervous Breakdown" (Feb. 1966, UK #2, US #2) was followed by their first trans-Atlantic #1 hit "Paint It Black" (May 1966). "Mother's Little Helper" (June 1966) was only released as a single in the USA, where it reached #8; it was one of the first pop songs to address the issue of prescription drug abuse, and is also notable for the fact that Jagger sang the lyric in his natural London accent, rather than his usual affected southern American accent.
The September 1966 single "Have You Seen Your Mother, Baby, Standing In The Shadow?" (UK #5, US #9) was notable in several respects?it was the first Stones recording to feature brass in the arrangement, the (now-famous) back-cover photo on the original US picture sleeve depicted the group satirically dressed in drag, and the song was accompanied by one of the first purpose-made promotional film clips (music videos), directed by Peter Whitehead.
"Paint It, Black"
Sample of "Paint It, Black" by The Rolling Stones (1966). Released as a single and as the opening track on the US version of Aftermath.
"(I Can't Get No) Satisfaction"
Sample of "(I Can't Get No) Satisfaction" by The Rolling Stones (1965).
January 1967 saw the release of Between the Buttons (UK number 3; US 2); the album was Andrew Oldham's last venture as The Rolling Stones' producer (his role as the band's manager had been taken over by Allen Klein in 1965). The US version included the double A-side single "Let's Spend the Night Together" and "Ruby Tuesday", which went to #1 in America and #3 in the UK. When the band went to New York to perform the numbers on The Ed Sullivan Show, they were ordered to change the lyrics of the refrain to "let's spend some time together".
Jagger, Richards and Jones began to be hounded by authorities over their recreational drug use. In early 1967 when News of the World ran a three-part feature entitled "Pop Stars and Drugs: Facts That Will Shock You". The series alleged LSD parties hosted by The Moody Blues and attended by top stars including The Who's Pete Townshend and Cream's Ginger Baker, and alleged admissions of drug use by leading pop musicians. The first article targeted Donovan (who was raided and charged soon after); the second installment (published on 5 February) targeted the Rolling Stones. A reporter who contributed to the story spent an evening at the exclusive London club Blaise's, where a member of the Stones allegedly took several Benzedrine tablets, displayed a piece of hashish and invited his companions back to his flat for a "smoke". The article claimed that this was Mick Jagger, but it turned out to be a case of mistaken identity?the reporter had in fact been eavesdropping on Brian Jones. On the night the article was published Jagger appeared on the Eammon Andrews chat show and announced that he was filing a writ of libel against the paper.
A week later on Sunday 12 February Sussex police (tipped off by the News of the World) raided a party at Keith Richards's home, Redlands. No arrests were made at the time but Jagger, Richards and their friend Robert Fraser (an art dealer) were subsequently charged with drug offences. Richards said in 2003, "When we got busted at Redlands, it suddenly made us realise that this was a whole different ball game and that was when the fun stopped. Up until then it had been as though London existed in a beautiful space where you could do anything you wanted."
In March, while awaiting the consequences of the police raid, Jagger, Richards and Jones took a short trip to Morocco, accompanied by Marianne Faithfull, Jones's girlfriend Anita Pallenberg and other friends. During this trip the stormy relations between Jones and Pallenberg deteriorated to the point that Pallenberg left Morocco with Richards. Richards said later: "That was the final nail in the coffin with me and Brian. He'd never forgive me for that and I don't blame him, but hell, shit happens." Richards and Pallenberg would remain a couple for twelve years. Despite these complications, The Rolling Stones toured Europe in March and April 1967. The tour included the band's first performances in Poland, Greece and Italy.
On 10 May 1967?the same day Jagger, Richards and Fraser were arraigned in connection with the Redlands charges?Brian Jones's house was raided by police and he was arrested and charged with possession of cannabis. With three out of five Rolling Stones now facing criminal charges, Jagger and Richards were tried at the end of June. On 29 June Jagger was sentenced to three months' imprisonment for possession of four amphetamine tablets; Richards was found guilty of allowing cannabis to be smoked on his property and sentenced to one year in prison. Both Jagger and Richards were imprisoned at that point, but were released on bail the next day pending appeal. The Times ran the famous editorial entitled "Who breaks a butterfly on a wheel?" in which editor William Rees-Mogg was strongly critical of the sentencing, pointing out that Jagger had been treated far more harshly for a minor first offence than "any purely anonymous young man".
While awaiting the appeal hearings, the band recorded a new single, "We Love You", as a thank-you for the loyalty shown by their fans. It began with the sound of prison doors closing, and the accompanying music video included allusions to the trial of Oscar Wilde. On 31 July, the appeals court overturned Richards's conviction, and Jagger's sentence was reduced to a conditional discharge. Brian Jones's trial took place in November 1967; in December, after appealing the original prison sentence, Jones was fined ?1000, put on three years' probation and ordered to seek professional help.
December 1967 also saw the release of Their Satanic Majesties Request (UK number 3; US 2), released shortly after The Beatles' Sgt. Pepper's Lonely Hearts Club Band. Satanic Majesties had been recorded in difficult circumstances while Jagger, Richards and Jones were dealing with their court cases. The band parted ways with producer Andrew Oldham during the sessions. The split was amicable, at least publicly; but in 2003 Jagger said: "The reason Andrew left was because he thought that we weren't concentrating and that we were being childish. It was not a great moment really - and I would have thought it wasn't a great moment for Andrew either. There were a lot of distractions and you always need someone to focus you at that point, that was Andrew's job."
Satanic Majesties thus became the first album The Rolling Stones produced on their own. It was also the first of their albums released in identical versions on both sides of the Atlantic. Its psychedelic sound was complemented by the cover art, which featured a 3D photo by Michael Cooper, who had also photographed the cover of Sgt. Pepper. Bill Wyman wrote and sang a track on the album: "In Another Land", which was also released as the first The Rolling Stones single featuring lead vocals other than Jagger's.
The band spent the first few months of 1968 working on material for their next album. Those sessions resulted in the song "Jumpin' Jack Flash", released as a single in May. The song, and later that year the resulting album, Beggars Banquet (UK number 3; US 5), marked the band's return to their blues roots, and the beginning of their collaboration with producer Jimmy Miller. Featuring the album's lead single, "Street Fighting Man" (which addressed the political upheavals of May 1968), and the opening track "Sympathy for the Devil", Beggars Banquet was another eclectic mix of country and blues-inspired tunes, and was hailed as an achievement for the Stones at the time of release. On the musical evolution between albums, Richards said, "There is a change between material on Satanic Majesties and Beggars Banquet. I'd grown sick to death of the whole Maharishi guru shit and the beads and bells. Who knows where these things come from, but I guess was a reaction to what we'd done in our time off and also that severe dose of reality. A spell in prison... will certainly give you room for thought... I was fucking pissed with being busted. So it was, 'Right we'll go and strip this thing down.' There's a lot of anger in the music from that period." Tutored by American guitarist Ry Cooder, Richards during this time (1968) started using open tunings (often in conjunction with a capo), most prominently an open-E or open-D tuning, then in 1969, 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "Honky Tonk Women", "Brown Sugar" (Sticky Fingers, 1971), "Tumbling Dice"(capo IV), "Happy"(capo IV) (Exile on Main St., 1972), and "Start Me Up" (Tattoo You, 1981). Open tunings became part of the Rolling Stones' (and Richards's) trademark guitar sound.
The end of 1968 saw the filming of The Rolling Stones Rock and Roll Circus. It featured John Lennon, Yoko Ono, The Dirty Mac, The Who, Jethro Tull, Marianne Faithfull and Taj Mahal. The footage was shelved for twenty-eight years (the Rolling Stones were reportedly dissatisfied with their own performance) but was finally released officially in 1996.
By the release of Beggars Banquet, Brian Jones was troubled and contributed sporadically to the band. Jagger said that Jones was "not psychologically suited to this way of life". His drug use had become a hindrance, and he was unable to obtain a US visa. Richards reported that, in a June meeting with Jagger, Richards, and Watts at Jones's house, Jones admitted that he was unable to "go on the road again". According to Richards, all agreed to let Jones "...say I've left, and if I want to I can come back". His replacement was the 20-year-old guitarist Mick Taylor, of John Mayall's Bluesbreakers, who started recording with the band immediately. On 3 July 1969, less than a month later, Jones drowned in the swimming pool at his Cotchford Farm home in Sussex.
1969?74
Richards on stage in 1972
Courtesy: Dina Regine
The Rolling Stones were scheduled to play at a free concert in London's Hyde Park two days after Brian Jones's death; they decided to proceed with the show as a tribute to Jones. Their first concert with Mick Taylor was performed in front of an estimated 250,000 fans. The performance was filmed by a Granada Television production team, to be shown on British television as Stones in the Park. Jagger read an excerpt from Percy Bysshe Shelley's elegy Adonais and released thousands of butterflies in memory of Jones. The show included the concert debut of "Honky Tonk Women", which the band had just released. Their stage manager Sam Cutler introduced them as "the greatest rock & roll band in the world" - a description he repeated throughout their 1969 US tour, and which has stuck to this day.
"Gimmie Shelter"
Sample of "Gimmie Shelter" by The Rolling Stones, from Let It Bleed (1969)
"Brown Sugar"
Sample of "Brown Sugar" by The Rolling Stones, from Sticky Fingers (1971)
The release of Let It Bleed (UK number 1; US 3) came in December. Their last album of the sixties, Let It Bleed featured "Gimmie Shelter" (with backing vocals by female vocalist Merry Clayton), "You Can't Always Get What You Want", "Midnight Rambler", as well as a cover of Robert Johnson's "Love in Vain". Jones and Taylor are featured on two tracks each. Many of these numbers were played during the band's US tour in November 1969, their first in three years. Just after the tour the band also staged the Altamont Free Concert, at the Altamont Speedway, about 60 km east of San Francisco. The biker gang Hells Angels provided security, which resulted in a fan, Meredith Hunter, being stabbed and beaten to death by the Angels. Part of the tour and the Altamont concert were documented in Albert and David Maysles' film Gimme Shelter. As a response to the growing popularity of bootleg recordings, the album Get Yer Ya-Yas Out! (UK 1; US 6) was released in 1970; it was declared by critic Lester Bangs to be the best live album ever.
In 1970 the band's contracts with both Allen Klein and Decca Records ended, and amid contractual disputes with Klein, they formed their own record company, Rolling Stones Records. Sticky Fingers (UK number 1; US 1), released in March 1971, the band's first album on their own label, featured an elaborate cover design by Andy Warhol. The album contains one of their best known hits, "Brown Sugar", and the country-influenced "Wild Horses". Both were recorded at Alabama's Muscle Shoals Sound Studio during the 1969 American tour. The album continued the band's immersion into heavily blues-influenced compositions. The album is noted for its "loose, ramshackle ambience" and marked Mick Taylor's first full release with the band.
Following the release of Sticky Fingers, The Rolling Stones left England on the advice of financial advisors. The band moved to the South of France where Richards rented the Villa Nellc?te, and sublet rooms to band members and entourage. Using the Rolling Stones Mobile Studio, they held recording sessions in the basement; they completed the resulting tracks, along with material dating as far back as 1969, at Sunset Studios in Los Angeles. The resulting double album, Exile on Main St. (UK number 1; US 1), was released in May 1972. Given an A+ grade by critic Robert Christgau and disparaged by Lester Bangs?who reversed his opinion within months -- Exile is now accepted as one of the Stones' best albums. The films Cocksucker Blues (never officially released) and Ladies and Gentlemen: The Rolling Stones (released in 1974) document the subsequent highly publicised 1972 North American ("STP") Tour, with its retinue of jet-set hangers-on, including writer Terry Southern.
In November 1972, the band began sessions in Kingston, Jamaica, for their follow-up to Exile, Goats Head Soup (UK 1; US 1) (1973). The album spawned the worldwide hit "Angie", but proved the first in a string of commercially successful but tepidly received studio albums. The sessions for Goats Head Soup led to a number of outtakes, most notably an early version of the popular ballad "Waiting on a Friend", not released until Tattoo You eight years later.
The making of the record was interrupted by another legal battle over drugs, dating back to their stay in France; a warrant for Richards's arrest had been issued, and the other band members had to return briefly to France for questioning. This, along with Jagger's convictions on drug charges (in 1967 and 1970), also complicated the band's plans for their Pacific tour in early 1973: they were denied permission to play in Japan and almost banned from Australia. This was followed by a European tour (bypassing France) in September/October 1973 - prior to which Richards had been arrested once more on drug charges, this time in England.
The band went to Musicland studios in Munich to record their next album, 1974's It's Only Rock 'n' Roll (UK 2; US 1), but Jimmy Miller, who had drug abuse issues, was no longer producer. Instead, Jagger and Richards assumed production duties and were credited as "the Glimmer Twins". Both the album and the single of the same name were hits.
Nearing the end of 1974, Taylor began to get impatient. The band's situation made normal functioning complicated, with band members living in different countries and legal barriers restricting where they could tour. At the same time, Richards's drug use was affecting his creativity and productivity, while Taylor felt some of his own creative contributions were going unrecognized. At the end of 1974, with a recording session already booked in Munich to record another album, Taylor quit The Rolling Stones. Taylor said in 1980, "I was getting a bit fed up. I wanted to broaden my scope as a guitarist and do something else... I wasn't really composing songs or writing at that time. I was just beginning to write, and that influenced my decision... There are some people who can just ride along from crest to crest; they can ride along somebody else's success. And there are some people for whom that's not enough. It really wasn't enough for me."
1974?82
Ronnie Wood (left) and Mick Jagger (right), during the 1975 Tour of the Americas
The Stones used the recording sessions in Munich to audition replacements for Taylor. Guitarists as stylistically far-flung as Humble Pie lead Peter Frampton and ex-Yardbirds virtuoso Jeff Beck were auditioned. Rory Gallagher and Shuggie Otis also dropped by the Munich sessions. American session players Wayne Perkins and Harvey Mandel also appeared on much of the next album. Yet Richards and Jagger also wanted the Stones to remain purely a British band. When Ronnie Wood auditioned, everyone agreed that he was the right choice. Wood had already recorded and played live with Richards, and had contributed to the recording and writing of the track "It's Only Rock 'n Roll". The album, Black and Blue (UK 2; US 1) (1976), featured all their contributions. Though he had earlier declined Jagger's offer to join the Stones, because of his ties to the The Faces, Wood committed to the Stones in 1975 for their upcoming Tour of the Americas. He joined officially the following year, as the Faces dissolved; however, Wood remained on salary until Wyman's departure nearly two decades later, when he finally became a full member of the Rolling Stones' partnership.
The 1975 Tour of the Americas kicked off with the band performing on a flatbed trailer being pulled down Broadway in New York City. The tour featured stage props including a giant phallus and a rope on which Jagger swung out over the audience.
Toronto's El Mocambo Club where part of Love You Live was recorded.
Jagger had booked a live recording session at the El Mocambo club in Toronto to balance a long-overdue live album, 1977's Love You Live (UK 3; US 5), the first Stones live album since 1970's Get Yer Ya-Ya's Out!. Richards's addiction to heroin delayed his arrival in Toronto; the other members had already assembled, awaiting Richards, and sent him a telegram asking him where he was. On 24 February 1977, Richards and his family flew in from London and were detained by Canada Customs after Richards was found in possession of a burnt spoon and hash residue. On 4 March, Richards's partner Anita Pallenberg pleaded guilty to drug possession and was fined for the original airport incident. On Sunday, 27 February, after two days of Stones rehearsals, armed with an arrest warrant for Pallenberg, the Royal Canadian Mounted Police discovered "22 grams of heroin" in Richards's room. Richards was charged with importing narcotics into Canada, which carried a minimum seven-year sentence upon conviction. Later the Crown prosecutor conceded that Richards had procured the drugs after arrival. Despite the arrest, the band played two shows in Toronto, only to raise more controversy when Margaret Trudeau, then-wife of Canadian Prime Minister Pierre Trudeau, was seen partying with the band after the show. These two shows were kept secret from the public and the El Mocambo had been booked for the entire week by April Wine for a recording session. 1050 CHUM, a local radio station, ran a contest for free tickets to see April Wine and the winners were allowed to pick a night to see the band. The winners that picked tickets for the Friday or Saturday night were surprised to find that the Stones were playing.
The drug case dragged on for over a year until Richards received a suspended sentence and was ordered to play two free concerts for the CNIB in Oshawa; both shows were played by the Rolling Stones and The New Barbarians, a group that Wood had put together to promote his latest solo album, and which Richards also joined. This episode strengthened Richards's resolve to get off heroin. It also contributed to the end of his relationship with Pallenberg, which had become strained since the death of their third child (an infant son named Tara); her inability to curb her heroin addiction while Keith struggled to get clean. While Richards was settling his legal and personal problems, Jagger continued his jet-set lifestyle. He was a regular at New York's Studio 54 disco club, often in the company of model Jerry Hall. His marriage to Bianca Jagger ended in 1979.
Although The Rolling Stones remained popular through the first half of the 1970s, music critics had grown increasingly dismissive of the band's output, and record sales failed to meet expectations. By the late 70s, punk rock had become influential, and the Stones were criticised as decadent, aging millionaires, and their music considered by many to be stagnant or irrelevant. This changed in 1978, when the band released Some Girls (UK #2; US #1), which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part a response to punk, many songs were fast, basic, guitar-driven rock and roll, and the album's success re-established the Rolling Stones' immense popularity among young people. Following the US Tour 1978, the band guested on the first show of the fourth season of the TV series "Saturday Night Live". The group did not tour Europe the following year, breaking the routine of touring Europe every three years that the band had followed since 1967.
Following the success of Some Girls, the band released their next album Emotional Rescue (UK 1; US 1) in mid-1980. The recording of the album was reportedly plagued by turmoil, with Jagger and Richards' relationship reaching a new low. Richards, though still using heroin according to keyboardist Ian Mclagan began to assert more control in the studio ? more than Jagger had become used to ? and a struggle ensued as Richards felt he was fighting for "his half of the Glimmer Twins." Emotional Rescue hit the top of the charts on both sides of the Atlantic and the title track reached #3 in the US.
In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, Tattoo You (UK 2; US 1) featured a number of outtakes, including lead single "Start Me Up", which reached #2 in the US and ranked #22 on Billboard's Hot 100 year-end chart. Two songs ("Waiting on a Friend" (US #13) and "Tops") featured Mick Taylor's guitar playing, while jazz saxophonist Sonny Rollins played on "Slave" and dubbed a part on "Waiting on a Friend". The Rolling Stones scored one more Top Twenty hit on the Billboard Hot 100 in 1982, the #20 hit "Hang Fire". The Stones' American Tour 1981 was their biggest, longest and most colourful production to date, with the band playing from 25 September through 19 December. It was the highest grossing tour of that year. Some shows were recorded, resulting in the 1982 live album Still Life (American Concert 1981) (UK 4; US 5), and the 1983 Hal Ashby concert film Let's Spend the Night Together, which was filmed at Sun Devil Stadium in Phoenix, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey.
In mid-1982, to commemorate their 20th anniversary, the Stones took their American stage show to Europe. The European Tour 1982 was their first European tour in six years. The tour was essentially a carbon copy of the 1981 American tour. For the tour, the band were joined by former Allman Brothers Band piano player Chuck Leavell, who continues to play and record with the Stones. By the end of the year, the band had signed a new four-album, 28 million dollar recording deal with a new label, CBS Records.
1983?91
Before leaving Atlantic, the Stones released Undercover (UK 3; US 4) in late 1983. Despite good reviews and the Top Ten peak position of the title track, the record sold below expectations and there was no tour to support it. Subsequently the Stones' new marketer/distributor CBS Records took over distributing the Stones' Atlantic catalogue.
By this time, the Jagger/Richards split was growing. Much to the consternation of Richards, Jagger had signed a solo deal with CBS Records, and he spent much of 1984 writing songs for this first solo effort. He has also stated that he was feeling stultified within the framework of the Rolling Stones. By 1985, Jagger was spending more time on solo recordings, and much of the material on 1986's Dirty Work (UK #4; US #4) was generated by Keith Richards, with more contributions by Ron Wood than on previous Rolling Stones albums. Rumours surfaced that Jagger and Richards were rarely, if ever, in the studio at the same time, leaving Richards to keep the recording sessions moving forward.
In December 1985, the band's co-founder, pianist, road manager and long-time friend Ian Stewart died of a heart attack. The Rolling Stones played a private tribute concert for him at London's 100 Club in February 1986, two days before they were presented with a Grammy Lifetime Achievement Award.
Dirty Work came out in March 1986 to mixed reviews despite the presence of the US Top Five hit "Harlem Shuffle"; Jagger refused to tour to promote the album, stating later that several band members were in no condition to tour. Richards was infuriated when Jagger instead undertook his own solo tour; he has referred to this period in his relations with Jagger as "World War III". Jagger's solo records, She's The Boss (UK 6; US 13) (1985) and Primitive Cool (UK 26; US 41) (1987), met with moderate success, although Richards disparaged both. In 1988, with the Rolling Stones inactive, Richards released his first solo album, Talk Is Cheap (UK 37; US 24). It was well received by fans and critics, going gold in the US.
In early 1989, the Rolling Stones, including Mick Taylor, Ronnie Wood and Ian Stewart (posthumously), were inducted into the American Rock and Roll Hall of Fame. Jagger and Richards appeared to have set animosities aside, and The Rolling Stones went to work on the album that would be called Steel Wheels (UK 2; US 3). Heralded as a return to form, it included the singles "Mixed Emotions" (US #5), "Rock and a Hard Place" (US #23) and "Almost Hear You Sigh". It also included "Continental Drift", which was recorded in Tangier in 1989 with Bachir Attar and the Master Musicians of Jajouka, whom Brian Jones had recorded in 1968.
The subsequent Steel Wheels/Urban Jungle Tours, encompassing North America, Japan and Europe, saw the Rolling Stones touring for the first time in seven years (since Europe 1982), and it was their biggest stage production to date. Opening acts included Living Colour and Guns N' Roses; the onstage personnel included a horn section and backup singers Lisa Fischer and Bernard Fowler, both of whom continue to tour regularly with the Rolling Stones. Recordings from the Steel Wheels/Urban Jungle tours produced the 1991 concert album Flashpoint (UK 6; US 16), which also included two studio tracks recorded in 1991: the single "Highwire" and "Sex Drive".
These were the last Rolling Stones tours for Bill Wyman, who left the band after years of deliberation, although his retirement was not made official until December 1992. He then published Stone Alone, an autobiography based on scrapbooks and diaries he had been keeping since the band's early days. A few years later he formed Bill Wyman's Rhythm Kings and began recording and touring again.
1992?2004
After the successes of the Steel Wheels/Urban Jungle tours, the band took a break. Charlie Watts released two jazz albums; Ronnie Wood made his fifth solo album, the first in 11 years, called Slide On This; Keith Richards released his second solo album in late 1992, Main Offender (UK 45; US 99), and did a small tour including big concerts in Spain and Argentina. Mick Jagger got good reviews and sales with his third solo album, Wandering Spirit (UK 12; US 11). The album sold more than two million copies worldwide, going gold in the US.
After Wyman's departure, the Rolling Stones' new distributor/record label, Virgin Records, remastered and repackaged the band's back catalogue from Sticky Fingers to Steel Wheels, except for the three live albums, and issued another hits compilation in 1993 entitled Jump Back (UK 16; US 30). By 1993 the Stones set upon their next studio album. Darryl Jones, former sideman of Miles Davis and Sting, was chosen by Charlie Watts as Wyman's replacement for 1994's Voodoo Lounge (UK 1; US 2). The album met strong reviews and sales, going double platinum in the US. Reviewers took note of the album's "traditionalist" sounds, which were credited to the Rolling Stones' new producer Don Was. It would go on to win the 1995 Grammy Award for Best Rock Album.
1994 also brought the accompanying Voodoo Lounge Tour, which lasted into 1995. Numbers from various concerts and rehearsals (mostly acoustic) made up Stripped (UK 9; US 9), which featured a cover of Bob Dylan's "Like A Rolling Stone", as well as infrequently played songs like "Shine a Light", "Sweet Virginia" and "The Spider and the Fly".
The Rolling Stones ended the 1990s with the album Bridges To Babylon (UK 6; US 3), released in 1997 to mixed reviews. The video of the single "Anybody Seen My Baby?" featured Angelina Jolie as guest and met steady rotation on both MTV and VH1. Sales were reasonably equivalent to those of previous records (about 1.2 million copies sold in the US), and the subsequent Bridges to Babylon Tour, which crossed Europe, North America and other destinations, proved the band to be a strong live attraction. Once again, a live album was culled from the tour, No Security (UK 67; US 34), only this time all but two songs ("Live With Me" and "The Last Time") were previously unreleased on live albums. In 1999, the Stones staged the No Security Tour in the US and continued the Bridges to Babylon tour in Europe. The No Security Tour offered a stripped-down production in contrast to the pyrotechnics and mammoth stages of other recent tours.
In late 2001, Mick Jagger released his fourth solo album, Goddess in the Doorway (UK 44; US 39) which met with mixed reviews. Jagger and Richards took part in "The Concert for New York City", performing "Salt of the Earth" and "Miss You" with a backing band.
In 2002, the band released Forty Licks (UK 2; US 2), a greatest hits double album, to mark their forty years as a band. The collection contained four new songs recorded with the latter-day core band of Jagger, Richards, Watts, Wood, Leavell and Jones. The album has sold more than 7 million copies worldwide. The same year, Q magazine named The Rolling Stones as one of the "50 Bands To See Before You Die", and the 2002-2003 Licks Tour gave people that chance. The tour included shows in small theatres, arenas and stadiums. The band headlined the Molson Canadian Rocks for Toronto concert in Toronto, Ontario, Canada, to help the city ? which they have used for rehearsals since the Steel Wheels tour ? recover from the 2003 SARS epidemic. The concert was attended by an estimated 490,000 people.
Keith Richards in Hannover, 2006, during the A Bigger Bang Tour
On 9 November 2003, the band played their first concert in Hong Kong as part of the Harbour Fest celebration, also in support of the SARS-affected economy. In November 2003, the band exclusively licensed the right to sell their new four-DVD boxed set, Four Flicks, recorded on the band's most recent world tour, to the US Best Buy chain of stores. In response, some Canadian and US music retail chains (including HMV Canada and Circuit City) pulled Rolling Stones CDs and related merchandise from their shelves and replaced them with signs explaining the situation. In 2004, a double live album of the Licks Tour, Live Licks (UK 38; US 50), was released, going gold in the US.
Since 2005
On 26 July 2005, Jagger's birthday, the band announced the name of their new album, A Bigger Bang (UK 2; US 3), their first album in almost eight years. A Bigger Bang was released on 6 September to strong reviews, including a glowing write-up in Rolling Stone magazine. The single "Streets of Love" reached the Top 15 in UK and Europe.
The album included the most controversial song from the Stones in years, "Sweet Neo Con", a criticism of American Neoconservatism from Jagger. The song was reportedly almost dropped from the album because of objections from Richards. When asked if he was afraid of political backlash such as the Dixie Chicks had endured for criticism of American involvement in the war in Iraq, Richards responded that the album came first, and that, "I don't want to be sidetracked by some little political 'storm in a teacup'."
The subsequent A Bigger Bang Tour began in August 2005, and visited North America, South America and East Asia. In February 2006, the group played the half-time show of Super Bowl XL in Detroit, Michigan. By the end of 2005, the Bigger Bang tour set a record of $162 million in gross receipts, breaking the North American mark also set by the Stones in 1994. On 18 February 2006 the band played a free concert with a claimed 1.5 million attendance at the Copacabana beach in Rio de Janeiro.
After performances in Japan, China, Australia and New Zealand in March/April 2006, the Rolling Stones tour took a scheduled break before proceeding to Europe; during this break Keith Richards was hospitalized in New Zealand for cranial surgery after a fall from a tree on Fiji, where he had been on holiday. The incident led to a six-week delay in launching the European leg of the tour. In June 2006 it was reported that Ronnie Wood was continuing his programme of rehabilitation for alcohol abuse, but this did not affect the rearranged European tour schedule. Two out of the 21 shows scheduled for July-September 2006 were later cancelled due to Mick Jagger's throat problems.
The Stones returned to North America for concerts in September 2006, and returned to Europe on 5 June 2007. By November 2006, the Bigger Bang tour had been declared the highest-grossing tour of all time, earning $437 million. The North American leg brought in the third-highest receipts ever ($138.5 million), trailing their own 2005 tour ($162 million) and the U2 tour of that same year ($138.9 million).
On 29 October and 1 November 2006, director Martin Scorsese filmed the Rolling Stones performing at New York City's Beacon Theatre, in front of an audience that included Bill and Hillary Clinton, released as the 2008 film Shine a Light; the film also features guest appearances by Buddy Guy, Jack White and Christina Aguilera. An accompanying soundtrack, also titled Shine a Light (UK 2; US 11), was released in April 2008. The album's debut at number 2 in the UK charts was the highest position for a Rolling Stones concert album since Get Yer Ya-Ya's Out! in 1970.
On 24 March 2007, the band announced a tour of Europe called the "Bigger Bang 2007" tour. 12 June 2007 saw the release of the band's second four-disc DVD set: The Biggest Bang, a seven-hour document featuring their shows in Austin, Rio de Janeiro, Saitama, Shanghai and Buenos Aires, along with extras. On 10 June 2007, the band performed their first gig at a festival in 30 years, at the Isle of Wight Festival, to a crowd of 65,000. On 26 August 2007, they played their last concert of the A Bigger Bang Tour at the O2 Arena in London, England. On 26 September 2007, it was announced The Rolling Stones had made $437 million on the A Bigger Bang Tour to list them in the latest edition of Guinness World Records.
Charlie Watts in Hannover, 2006
Mick Jagger released a compilation of his solo work called The Very Best of Mick Jagger (UK 57; US 77), including three unreleased songs, on 2 October 2007. On 12 November 2007, ABKCO released Rolled Gold+: The Very Best of the Rolling Stones, a double-CD remake of the 1975 compilation Rolled Gold; the reissue went to number 26 in the UK charts.
In a 2007 interview with Mick Jagger after nearly two years of touring, Jagger refused to say when the band are going to retire: "I'm sure the Rolling Stones will do more things, more records and more tours, we've got no plans to stop any of that really. As far as I'm concerned, I'm sure we'll continue." In March 2008 Keith Richards sparked rumours that a new Rolling Stones studio album may be forthcoming, saying during an interview following the premiere of Shine a Light, "I think we might make another album. Once we get over doing promotion on this film". Drummer Charlie Watts remarked that he got ill whenever he stopped working. In July 2008 it was announced that the Rolling Stones were leaving EMI and signing with Vivendi's Universal Music, taking with them their catalogue stretching back to Sticky Fingers. New music released by the band while under this contract will be issued through Universal's Polydor label. Universal Records will hold the US rights to the pre-1994 material, while the post-1994 material will be handled by Interscope Records (once a subsidiary of Atlantic). Coincidentally, Universal Music is also the distributor for ABKCO, owners of the band's pre-Sticky Fingers releases.
Musical evolution
The Rolling Stones are notable in modern popular music for assimilating various musical genres into their recording and performance, ultimately making the styles their very own. The band's career is marked by a continual reference and reliance on musical styles like American blues, country, folk, reggae, dance; world music exemplified by the Master Musicians of Jajouka; as well as traditional English styles that use stringed instrumentation like harps. The band cut their musical teeth by covering early rock and roll and blues songs, and have never stopped playing live or recording cover songs.
Infusion of American blues
Jagger and Richards shared an admiration of Jimmy Reed, Muddy Waters and Little Walter, and their interest influenced Brian Jones, of whom Richards says, "He was more into T-Bone Walker and jazz-blues stuff. We'd turn him onto Chuck Berry and say, 'Look, it's all the same shit, man, and you can do it.'" Charlie Watts, a traditional jazz drummer, was also turned onto the blues after his introduction to the Stones. "Keith and Brian turned me on to Jimmy Reed and people like that. I learned that Earl Phillips was playing on those records like a jazz drummer, playing swing, with a straight four..."
Jagger, recalling when he first heard the likes of Chuck Berry, Bo Diddley, Muddy Waters, Fats Domino and other major American R&B artists, said it "seemed the most real thing" he had heard up to that point. Similarly, Keith Richards, describing the first time he listened to Muddy Waters, said it was the "most powerful music ever heard...the most expressive."
Early songwriting
Despite the Rolling Stones' predilection for blues and R&B numbers on their early live setlists, the first original compositions by the band reflected a more wide-ranging interest. The first Jagger/Richards single, "Tell Me (You're Coming Back)," is called by critic Richie Unterberger a "pop/rock ballad... When began to write songs, they were usually not derived from the blues, but were often surprisingly fey, slow, Mersey-type pop numbers." "As Tears Go By," the ballad originally written for Marianne Faithfull, was one of the first songs written by Jagger and Richards and also one of many written by the duo for other artists. Jagger said of the song, "It's a relatively mature song considering the rest of the output at the time. And we didn't think of it, because the Rolling Stones were a butch blues group." The Stones did later record a version which became a top five hit in the US.
On the early experience, Richards said, "The amazing thing is that although Mick and I thought these songs were really puerile and kindergarten-time, every one that got put out made a decent showing in the charts. That gave us extraordinary confidence to carry on, because at the beginning songwriting was something we were going to do in order to say to Andrew , 'Well, at least we gave it a try...'" Jagger said, "We were very pop-orientated. We didn't sit around listening to Muddy Waters; we listened to everything. In some ways it's easy to write to order... Keith and I got into the groove of writing those kind of tunes; they were done in ten minutes. I think we thought it was a bit of a laugh, and it turned out to be something of an apprenticeship for us."
The writing of the single "The Last Time," The Rolling Stones' first major single, proved a turning point. Richards called it "a bridge into thinking about writing for The Stones. It gave us a level of confidence; a pathway of how to do it." Built around a riff played by Brian Jones, the song was based on a traditional gospel song popularised by The Staples Singers and would be emblematic of the heavily guitar based sound to come.
Band members
Line-ups
1962
Mick Jagger ? lead vocals, harmonica, percussion
Brian Jones ? guitars, backing vocals, harmonica, percussion
Keith Richards ? guitars, backing vocals
Ian Stewart ? piano, percussion
with
Mick Avory ? drums
Tony Chapman ? drums
Ricky Fenson ? bass
Carlo Little ? drums
Dick Taylor ? bass
Bill Wyman ? bass
January - April 1963
Mick Jagger ? lead vocals, harmonica, percussion
Brian Jones ? guitars, backing vocals, harmonica, percussion
Keith Richards ? guitars, backing vocals
Ian Stewart ? piano, percussion
Charlie Watts ? drums
Bill Wyman ? bass, backing vocals
May 1963 ? May 1969
Mick Jagger ? lead vocals, harmonica, percussion
Brian Jones ? guitars, backing vocals, harmonica, percussion, tamboura, sitar, dulcimer, keyboards, autoharp, brass, woodwinds, theremin
Keith Richards ? guitars, vocals, bass, keyboards, percussion
Charlie Watts ? drums, percussion
Bill Wyman ? bass, vocals, percussion, keyboards
May 1969 ? December 1974
Mick Jagger ? lead vocals, harmonica, keyboards, percussion, guitar
Keith Richards ? guitars, vocals, bass, keyboards
Mick Taylor ? guitars, bass, synthesizer, percussion, backing vocals
Charlie Watts ? drums, percussion
Bill Wyman ? bass, synthesizer
December 1974 - May 1975
Mick Jagger - lead vocals, harmonica, keyboards, percussion, guitar
Keith Richards - guitars, vocals, bass, keyboards
Charlie Watts - drums, percussion
Bill Wyman - bass, synthesizer
May 1975 ? December 1992
Mick Jagger ? lead vocals, harmonica, keyboards, guitar
Keith Richards ? guitars, vocals, bass, keyboards, percussion
Charlie Watts ? drums, percussion
Ronnie Wood ? guitars, backing vocals, bass, drums, percussion
Bill Wyman ? bass, synthesizer
1993 ? present
Mick Jagger ? lead vocals, harmonica, percussion, guitar, bass, keyboards
Keith Richards ? guitars, vocals, bass, keyboards
Charlie Watts ? drums, percussion
Ronnie Wood ? guitars, backing vocals.
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